Whisky Posts & Articles

How wood you like that?

[Update:  Aspects of the below article are considerably expanded upon and covered in more detail in our comprehensive feature piece, “The complete guide to oak and whisky maturation” which we suggest you head straight to now and read here. ]

Whisky maturation is a complex process. You’ve doubtless heard or read the oft-accepted mantra that the spirit’s contact with the wood during maturation contributes as much as 60-70% to the whisky’s final flavour.

When it comes to playing around with wood and cask experimentation, few do it better than Glenmorangie.  Often credited with the innovation of “finishing” (although Balvenie may beg to differ), Glenmorangie was certainly the first to commercially release a range of whiskies where the whisky was matured primarily in one type of cask, and then given a second period of maturation in a different cask.    The “Port Wood” expression was one of my early favourites, having spent 10 years or so in bourbon wood, before being finished for 6-12 months in port pipes.

20 years on, finishing is so common now, it’s passé.   For some companies, it also makes economic sense:  Not every distillery can afford to invest in expensive sherry casks for a 12 year maturation, but some impressive results can be had by re-racking the whisky in first-fill sherry butts for just 6-12 months.  Not surprisingly, the results merge and marry the characteristics of the contributing parent casks, and any number of permutations and possibilities can be trialled.   Tired or non-performing whiskies can also be rescued:  For some distillers, finishing the spirit in a new or exotic cask can polish or breathe life into whisky that was flat or over-cooked.  We won’t name names, but a number of resurrected distilleries have had to do this to rescue tired casks that were inherited when the distillery’s ownership changed hands.

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Are you paying too much for your whisky?

Is whisky too expensive?  How much should you pay for a good bottle of single malt?  How much should you pay for a bad bottle of malt?   Why are some distilleries or labels so expensive, whilst others seem so much cheaper?  Why do NAS whiskies cost so much, when all you ever hear about is that their vattings contain mostly young malt?  In fact, when it all boils down: Why is whisky so expensive?

That’s a lot of questions. So what are the answers?

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Some special drams from the house of William Grant & Sons

It’s no secret that I’m a fan of William Grant & Sons.  As I’ve penned in numerous articles and blog posts previously, it’s not just their whiskies, but also their people, and how they move & operate in the whisky world.   Courtesy of the good folks at WG&S Australia (thanks Mark, Laura & Richard), I recently experienced yet another great example of this.

Ludo Ducrocq would be known to many whisky drinkers around the world as one of the most knowledgeable, likeable and agreeable brand ambassadors.  Ludo started out as a distillery tour guide for William Grant & Sons, but his passion for whisky and his love for telling other people about it quickly saw him move into more ambassadorial roles.  In 2009, he was appointed as Grants’ first Global Ambassador (for the Grants’ range of blended whiskies), and today works with the title of “Head of Brand Ambassador Advocacy”.  In other words, he’s the Brand Ambassador to the Brand Ambassadors!

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Glenfarclas Distillery – a family affair

What follows is a full and detailed profile of the Glenfarclas distillery.  I’ve prepared and written up similar distillery profiles and feature pieces for many different publications and outlets in the past, and this feature piece will be no different.  But, in the interests of full disclosure, let’s declare all interests:  Glenfarclas is my favourite distillery.  There.  I’ve said it…

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Benromach Distillery – Speyside’s little jewel

Benromach distillery isn’t one of the most widely known or seen single malts.  But that’s changing.  And fast…

Benromach is one of the very few distilleries to have a happy ending after the misery of the industry-wide distillery closures in the mid-1980’s.  Originally founded in 1898, by 1983 Benromach was part of the DCL (today’s Diageo) and it was one of eight distilleries closed down by DCL that year as a result of the downturn and economic woes of the time.   Of those eight DCL distilleries that closed that year, Benromach is the only one to remain alive and operating today.  The other seven are lost forever, including Dallas Dhu, which is now a museum.  But, of course, a bit of action played out in the meantime…

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Are you a whisky snob?

Are you a whisky snob?  More critically, have you ever accused someone of being a whisky snob?  If you’re in either camp – particularly the latter – you need to read on…

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Whisky’s key ingredient

How do you make good whisky? In fact, what are the ingredients of whisky?  If you answered barley, water, and yeast, then you were correct.  And yet, there’s so much more…

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The Top Four Whiskies for Christmas

{Update: The article below was first written in 2014 and has been superseded/replaced with a more up-to-date article.  You should read the updated article here.}

Need a whisky for Christmas?  Once upon a time, whisky was whisky, and Santa wasn’t too discerning when it came to what special dram you left out for him on Christmas Eve.  In decades gone by, there was also less distinction – by both marketers and  consumers – about the significance of sherried versus non-sherried whisky.  Of course, with the huge decline in sherry consumption and the corresponding rise in the cost of sherried single malts, the distinction and noise around sherried whisky is now more stark and louder than ever.  (And that’s before we even mention words like European oak or sulphur candles!)

When I first started hosting whisky tasting events in 2001, I did a fair bit of freelance work for Macallan.  This was back when the core range was simply the 12yo, 15yo, 18yo, and 25yo – all of them made with Golden Promise barley, and all matured exclusively in sherry casks.   I used to describe the flavour of these sherried whiskies as being like “Christmas pudding in a glass”.  The really great sherried whiskies showcased all of the dried fruits you’d find in Christmas pudding (e.g. raisins, sultanas, dates, cherries, apricots, etc); as well as the butterscotch and toffee notes you’d associate with the brandy butter or Christmas sauce.   Some of them also exhibited a bit of the spice that we commonly associate with European oak, and occasionally there was also the pleasant bitterness of cloves and Christmas mince pies, or the sweetness of cinnamon.

As such, for me, if I’m going to drink a single malt at Christmas time, it’s got to be a sherried whisky.  And, certainly, when it comes time on the 24th to put out a dram for Santa, it’s been a Glenfarclas for jolly Saint Nick every year since my kids arrived on the scene.

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Heading off to a whisky show? Read this first!

With whisky shows and expos like Whisky Live now up and running in many countries, whisky lovers all over the world now have the opportunity to attend amazing tasting events where there is much to sample and experience in a short session.

(Note this article has been amended for European/US readers. If you’re reading in Australia, click here for the original, more localised version).

I recently reflected on how many different articles I’d written over the years that shared a theme or objective that could loosely be summarised as “How to get the most out of your dram”.  But something that hadn’t been addressed in any detail is how best to plan your attack when attending an expo-style tasting event, i.e. a whisky show.  Playing it right, or otherwise, can mean the difference between having an outstanding sensory and culinary experience, or having a dull, confusing session.

As someone who regularly attends whisky shows as both a regular punter and as an exhibitor behind the table, I’m only too aware that attendees need to plan their session or employ wise strategy if they are to get the best out of what is on offer.  Play it wrong, and you truly rob yourself of a rewarding, positive opportunity.

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Heading off to a whisky show? Read this first! (Aussie version)

Wondering what to do at a whisky tasting event or how to plan for it?  Read on…

{But first: There are two versions of this article – one specifically for Australian readers, and one for international readers.  This is the Australian version – if you’d like to read the international version, click here}

Heading off to a whisky show soon?  Good for you! For too many years, Australians were starved of the opportunity to attend whisky expo events.  We’d all hear and read about the amazing Whisky Live events overseas, or even the epic DramFest in New Zealand, but it’s only relatively recently in Australia that these events are becoming regular attractions in most of the capital cities.

(For those who like a bit of history, the first true expo event in Australia was in Canberra in 2003 as part of the Australian Malt Whisky Convention, organised by the MWSoA.  That was a biennial event that was then repeated in Sydney in 2005 and Melbourne in 2007.  After a hiatus, it returned in Adelaide in 2013.   Whisky Live arrived on the scene in Sydney in 2009, where it was joined a year or two later by The Whisky Fair, followed by The Whisky Show in 2012.  Other local organisations have joined the party, such as the QMWS hosting their expo in Brisbane since 2011.  More recently, The Whisky Show spread its wings to Melbourne, and of course, Whisky Live has now been a nationwide roadshow in Perth, Adelaide, Melbourne, Canberra, Sydney and Brisbane for the last few years.  And, whilst their scale is much, much smaller and limited to their own label, let’s not forget the “Steps to Heaven” or “Extravaganza” tastings put on by The Scotch Malt Whisky Society around the country since 2009).  More recently, independent events such as Whisky Freedom (Perth) and Whisky & Dreams (Melbourne) have added to the scene.)

The point is, most Aussie whisky enthusiasts can now attend an expo-style event in their capital city.  I recently reflected on how many different articles I’d written over the years (mostly for SMWS publications) that shared a theme or objective that could loosely be summarised as “How to get the most out of your dram”.  But something that hadn’t been addressed in any detail is how best to plan your attack when attending an expo tasting event.  Playing it right, or otherwise, can mean the difference between having an outstanding sensory and culinary experience, or having a dull, confusing session.

As someone who regularly attends these events as both a regular punter and as an exhibitor behind the table, I’m only too aware that attendees need to plan their session or employ wise strategy if they are to get the best out of what is on offer.  Play it wrong, and you truly rob yourself of a rewarding, positive opportunity.

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